This screen-print explores color theory and layered transparency through a hand-pulled, multi-screen printing process. I first illustrated the design digitally before transferring each layer onto mylar for exposure. Using only pink, blue, and black inks, I incorporated intentional overlapping and transparency techniques to create secondary tones — most notably the violet hues formed by the blending of the pink and blue layers. The result is a dynamic, high-contrast print that combines strong graphic line work with experimental color interaction.
